News
Announcements, press, and milestones from the Synapse virtual production studio.
Insight
June 10, 2026
A practical breakdown of how Synapse's stage technology, Infinite Height Design™, Mobile Wild Walls, Stype tracking, and genlocked pipelines, translates into real on-set speed, reliability, and creative flexibility.
August 27, 2026
We run LED volumes, and there are shots we would tell you not to bring to one. Brightness ceilings, RGB-only spectrum, sound, and savings that are real but smaller than the pitch. An honest disqualifying list.
August 28, 2026
Driving shots are where a volume pays for itself fastest: reflections are real, actors can see where they are, and the day is not hostage to traffic, weather or light. Here is how the work is actually built.
August 29, 2026
Short answer: not on their own. An RGB LED emits three narrow spectral spikes, not a continuous spectrum, and faces lit only by the wall drift. The fix is a lighting design decision, not a colour correction.
August 30, 2026
Moiré on a virtual production stage is an interference pattern between the panel pixel grid and the camera sensor. Pixel pitch, camera distance, lens choice, focus and shutter all move it. Here is what actually works on the day.
June 1, 2024
Synapse VP's Christopher Probst, ASC sits down with director Zach Jopling to unpack his first virtual production commercial, the BMW i5 featuring Jay Shetty, covering environments, lighting, moiré, and what he'd do differently.
January 1, 2024
How the Synapse VP team pioneered a solution to eliminate frustum latency with high-speed motion control rigs, enabling precise, zero-delay camera moves on a virtual production stage.
